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" Two albums, Two tours, and 130 shows, can't be wrong, this cab has seen every stage condition imaginable, and it rocked them all!
It is a solum tower of black with a matte finish that has a take no prisoners look.
In 1969, Ampeg set out to design the most powerful amplifier ever made.
At that time, 50-watt amps were considered more than adequate. Ampeg, however, not only harnessed 300 watts of pure tube power but actually created a new valve (tube) technology - Super Valve Technology, or the SVT.
In the world of high performance bass cabs, the Ampeg SVT-810E stands tall and proud. In 1946, Everette Hull, an acomplished pianist and bass player, organized a partnership with Stanley Michaels under the name Michaels-Hull Electronic Labs.
Their mission was to produce a new microphone pickup that Hull designed.
Many of these products feature incredibly unique features and performance capabilities resulting in six U. Nicknammed the Portaflex, this amplifier became the standard in bass combos throughout the 60's and 70's.
Now the most sought after stage amplifier, the SVT has proven its road worthiness on stages around the world. Louis Music, Inc purchased Ampeg and continues the tradition of making quality, musician-satisifying products.
The current series of Ampeg Classic models, Pro Series products, B Series heads and combos as well as the updated re-issue Diamond Blue Series are among the latest in the evolution of the professional, innovative and feature laden amplifiers available.
It has saved me so much trouble being able to go from small places running it as a 4x10(protip:use the top four to carry the sound a little farther) to the bigger badder places running it as it was meant to was the most serious rock club in the state.
many B bands come through this was house equipment live bands 7 nights some 4-5 per night.
The pickup was fitted on the end of an upright bass and was dubbed the Amplified Peg or Ampeg for short.